Ωραία

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3wings:

Monet sitting next to the waterlily pond in his garden at Giverny in France
Hulton Archive

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camilaleonm:

Fig. 1 (2011) Color pencils and paper

Dimensions 300 x 150 cms

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alecshao:

Jamies Wang

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(via a-world-without-color)

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audreyandmarilyn:

Audrey Hepburn by Bert Stern, 1964.

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i believe i’ve found the loveliest.

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mpdrolet:

San Andreas, Untitled No 4

Christian Weber

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zeroing:

Construction of the Golden Gate Bridge, 1933-1937 | Retronaut

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(Source: shinjuuromance, via ourhumanbody)

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crematorie:

a caminho do chateau by marcoshoracio

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(Source: danielramosphotography, via beneficial-fixations)

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It was a complex and disturbing experience for her, and it left her feeling that she had abandoned her life for a kind of nothingness, as though she had been taking pictures of things that weren’t there. The camera was no longer an instrument that recorded presences, it was a way of making the world disappear, a technique for encountering the invisible.

Paul Auster from Leviathan

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2headedsnake:

petercallesen.com

Peter Callesen “Transparent God” large scale paper cut sculpture

(via beneficial-fixations)

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this time last year

You’ve been gone so long. Sometimes I forget you’re even alive anymore. I know it’s awful, but it only gets worse when I remember you’re still out there, just not with me. I’m getting so much better about not missing you, but sometimes it just still hurts so much. You never were one to stay in one place, I guess I just always thought you’d take us with you. This time last year, we were all together and you made my life hell. You knew you were leaving this time last year. You knew and didn’t change how you spoke to me one bit. I know I’m better without you, but with the one year anniversary coming up, you’re just on my mind a lot. It all feels so raw and fresh again and all i can do is tell the fucking internet about it.

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(Source: coisasecoisasemaiscoisas, via saturrn)